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Antonio.Sanchez.-.Birdman.OST..2014..FLAC

Antonio.Sanchez.-.Birdman.OST..2014..FLAC

Antonio.Sanchez.-.Birdman.OST..2014..FLAC

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Antonio.Sanchez.-.Birdman.OST..2014..FLAC

In the highly influential 1970s NYC hardcore band Minor Threat, frontman Ian MacKaye and guitarist Jeff Nelson coined the word \»nihilist\» as a label for the fanatical style of aggressive music they created. Their original stylistic template was heavily influenced by Black Flag, Wire, and UK anarcho punk pioneers Crass. Bands today often mistakenly consider Minor Threat’s material beyond hardcore to fit under that label, but in fact MacKaye and Nelson’s songwriting was never really about \»hardcore\» alone. On the album, they covered \»A Movement of Our Own\» by the Clash, a song about leaving a fascist future in hope of a liberated future. A movie version of the song appeared in the documentary about hardcore punk Suburbia, as well as on the soundtrack album. Minor Threat’s lead singer Ian MacKaye once talked about the song Antonio Sanchez.-.Birdman.OST..2014..FLAC on a 1969 recording (visit http://minor-threat.com/discography ), in which MacKaye sings \»Whiplash,\» the a cappella rendition of the opposite riff of Antonio Sanchez.-.Birdman.OST..2014..FLAC.

Birdmans composers turned out to have a lot in common with Antonio Sanchez : both have scored more than a few movies, but also have released several separate albums. After the double bill featuring Almost Human (Metheny) and the incomparable Day Trip (Sanchez), even though they live in opposite worlds, both reveal their worth through the process of musical creation and the results are equally impressive.

If the six drum parts scattered around the Antonio.Sanchez.-.Birdman.OST..2014..FLAC could be replaced by the six recorders of the band The Swingle Singers (which were actually used for the soundtrack), the drum arrangement would be nearly identical.

Antonios career spans over two decades and includes work as a composer, producer, and performer, thanks to a series of alter-egos (Bad Hombre, Bad Hombre, Antonio.Sanchez.-.Birdman.OST, A.S.B.H., Anderson.Simpson, Bellmodo, and Nightcrow), covering a wide range of musical styles and subgenres, including experimental, indie, electronic, rock, alternative, reggae, world, folk, pop, and more. He has released six albums to date (including the self-titled debut, Antonio.Sanchez. and the 2015 free album The Bad Hours), as well as numerous collaborations and remixes, and has sold out concerts on tour all over the world. Antonio.Sanchez. first rose to fame in Mexico City with his critically acclaimed instrumental dance band Nightcrow, and later turned to the music of another nightmarish alter-ego, Bad Hombre. The late 80s to the early 90s saw the rise of a successful career as producer and composer on albums by musicians including Ilan Chester, Raul Rodriguez, and Zoob. That period includes his first solo album, Antonio.Sanchez. (1993), which has been reissued on vinyl since March 2017. The collaborations and artistic pursuits he started in the 90s flourished with the release of the critically acclaimed Homestar (2001), a self-titled album (2006) of which the 12th track was selected to represent Mexico in the 51st International Grammy Awards, and both the Life Is Beautiful and All Tomorrows Parties festivals. As part of his regular performances, he has toured Mexico, the US, Europe, Asia, Central and South America, and more, playing in venues as diverse as New York Citys Power Station, the Moscow Conservatory, the Museum of Modern Art in Kyoto, Mexico Citys Museo Nacional de las Artes, and the National Auditorium.
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